3D Architecture Dutch Stamps

Postage stamps for philatelically and technology inclined architecture lovers.

A New Home for Yarn

First offload all of the yarn from the super cheap bookcase and put it on the treadmill
(which often does double-duty as a storage unit. More often than it's used for walking, in fact).

Then bring in the china cabinet from the garage where we put it after rescuing it at long last from the storage unit. Its first home that I know about was my grandmother's living room in San Antonio. (I don't really remember what she had in it specifically, but it was used in the traditional way. I do remember what was in my grandmother Nina's china cabinet, because my favorite thing to do at her house when I was a child was to take out the little china figures and animals she kept there . . . I remember some little china dogs and perhaps a shepherdess, women in kimono with fans, I think, and some others . . . and have some imaginative play time with them. I don't think I ever broke any, amazingly enough. She also kept peppermint sticks in there.)

Transfer all of the yarn to its new home! 

(OK, well . . . almost all the yarn. There is still some on a couple of shelves in the laundry room.)

Admire.

Rest on laurels.

Beads should be a controlled substance . . .

 Really.

These are tiny 11/0 cylinder beads. (And my purely selective OCD tendencies are making an appearance, but I am telling myself I labeled the colors for the benefit of party guests.) These are Toho Treasure Beads found in my local craft store, definitely several notches above the generally available craft seed bead variety pictured below, and quite a bit spendier! Evidently it's the cylinder type beads that you need for more precise bead weaving - or is it loom beading? They have a more consistent shape and size and larger holes for multiple passes of the needle and thread. I've learned a lot about loom beading rather after the fact. The party is over, and it's a day or two later that I learn some very useful techniques for such things as warping, changing the weft threads, preferred size of needles, finishing, etc. The books I have in my stash all have a few pages about loom beading, but I learned the most from a dedicated book that I got from the library, Contemporary Loom Beading: An New Look at a Traditional Stitch. And the best site I found for online instruction of various beading techniques is at Fusion Beads.

Merry Christmas!

It really felt like not enough got done this Christmas, nor done at the right times,

but when you get right down to it, there was some decorating happening, and lights lit up . . .

there were some stockings hung . . .

and a bit of cheer spread around here and there . . .

and a couple or three little collections got out of their boxes . . .

and the Egyptian cat on top of the hall closet got her bell and ribbon.

Some of us made some cookies.

And we crafted some steampunkish crafts.

And we made our version of Christmas crackers.

We ate a lot and we sang a lot and we went to church

and we greatly enjoyed the company of friends and relations.

That seems like the right things accomplished then.

From the Archives: Fun with Art Stamps

Zettiology (flying creature, alpha, cloud),
100 Proof Press (buildings)


Ma Vinci's Reliquary (numbers), 100 Proof Press (ribbon)
and?



ERA Graphics


Paula Best


hmmm... Redhead?



100 Proof Press (dancing elephant), Leavenworth Jackson (shell), Gumbo Graphics (cityscape), Stampscapes (stars)

Crazy Quilts and the Contemporary Crafter

I saved this article by Gayle Worland from the Sunday paper on March 1, because there were a few things that really resonated with me in the interview with Beverly Gordon (professor of textiles and apparel design at UW-Madison and the curator of this exhibit, "A Fairyland of Fabrics: The Victorian Crazy Quilt" )

She compares the craft of these women to present day scrapbooking (and that segues into other paper and fabric crafts), citing an emphasis on creativity, invention, and play, and the importance of "abundance" and "collecting" of material as part of what fuels the craft(s). There's also the intriguing aspect of collective motifs - themes or subjects that appeal to many of us who do the same kind of art and craft that are reflective of our time and cultures and interests.

I quite like this quote the article ends with:

"There's a sense that there's infinite possibilities with materials and making beautiful things ... It's about making something with little bits, the fascination of combinations, because essentially they are a collage."

More Artistamps

An homage to Wilson's in Door County, made to go with the postcard below. Just a cropped unedited photograph with text added. I think I had the pinhole perforator when I made this, but for some reason chose to use the old Fiskar's postage stamp edger instead. The perforator might have been buried under the leaf blower and other lawn-related junk as it lives in the garage right now.


A Wilson's hot fudge sundae (pencil/colored pencil, pen), with A- waiting for me to take the photo in the background. My kids are very tolerant of my quirks, generally speaking.

This is the first artistamp I ever made, I think. No graphics software, so just text printed on cardstock, and then the sisters were collaged together on top of gold tissue paper, glued onto the background, swiped with a gold inkpad, flicked with gold paint, and then reproduced by color copy. It was made for a book group invitation to a discussion of Wuthering Heights.

Artistamp Mailing List Anniversary

It's time for the annual AML (Artistamp Mailing List) anniversary exchange. This is the 10th anniversary, though I have only participated in three of the exchanges so far. At the moment I can't find the first one I did, but the last two years were still on my desk or by the computer.

9th anniversary: digital photo of watercolor/rapidograph (old college-era) piece and added text in Photoshop.

8th Anniversary: another re-purposed watercolor, this one was unfinished (for good reason), but fixed the bird's beak and added a background in Photoshop.