B Yourself

Set the Black Cat to the task of doing the cutting on multiples of a Paula Best rubber stamp, the "B Yourself Mannequin". I scanned a print of the stamp at 100% and traced the outer edge, cut multiples in cardstock, and then hand stamped using a stamp positioner. It was a little off in places, requiring a tiny bit of trimming, but not much. 

There's probably a better way to do this, but I haven't investigated yet.

It's hard to see in the pictures, but I cut three images for each tag to paper-piece

them together: basically the bottom is the whole stamp, the middle is the

mannequin minus stand and wings, and the top is the head and rabbit.

So that's a lot of mannequin that I didn't have to cut out by hand.
That is an excellent thing.

I tweaked a basic tag shape in the MTC program, and cut tags from Donna Estabrooks'

"the Colorful Life" 8x8 cardstock pack, and then cut a shadow layer in black.

On some of the tags, I used the
Tim Holtz Pickett Fence Distress Stain to tone the colors down.

The "B Yourself" figures were partially colored first with various Distress Stain 

colors and then over-colored with Copic markers. Some of them got a final distressing

with the Picket Fence stain. Added ribbon and a little key charm to finish.

These three also got a "believe" stamp, embossed in white detail EP.

I also used the cutter to design and cut an envelope for the tags, which were then embossed with the cuttlebug and finished with a tiny 3D letter "B" sticker. Some of the mannequins got brown faces, for all of us Mocha Divas (saw that on the TLo blog commentary recently, and it tickled me), and the rest are bit more fantasy face.

The Day We Changed Our Lives Forever

Cut paper and hand sewn tunnel books by Andrea Dezsö with interactive LED lights.
" ... tiny red, green and blue LED lights that correspond to three sliding knobs on the wall. Shifting the balance of light from blue to green changes the energies and intentions of conversing devils, whispering rabbits, dancing pixies, perching grasshoppers; the creatures live in aÊtenuous balance between cute and sinister according to the behaviors of red, green and blue. Here, the narratives are open-ended; we create the story as we the turn the knob."
Chloe Hawkins: Zero to Superhero, NY Arts Magazine

Pilsner Urquell - The Day Pilsen Struck Gold

Behind the scenes:

Black Cat Cougar Digital Cutter

I have a little obsession with digital diecut machines. Not that big, I guess ... as I am reading recently in various forums about people that have several, and prior to this week, I just had the one itty-bitty one. Now I have a bigger one that will cut 13 inches wide rather than 8 inches) and can cut through a variety of thicker materials that the bitty one couldn't - a Black Cat Cougar "Cub".

Here's the Cougar with my cute little first generation Craft Robo. 

Project One is making a record of different kinds of papers and settings used ... cut the tags on the Cougar out of cardstock. Printed out labels to put on them and glued on a little sample of the paper.

Project Two is cutting labels for the drawers of the card catalog. Needed to be done, and I thought cut labels on a clear background would look more interesting visually than just printed ones. Kind of a "because I can" moment. I'm using an Arts and Crafts style font, Chelsea Studio.
After experimenting with paper, I discovered vinyl. How could I have not known about vinyl before now?! After cutting the labels in vinyl, it was easy to transfer that to a transparency and then trim the transparency to fit the drawer front.

Cupcake Liner PomPom Garland

What's not to like about a handmade pompom garland?
This one - directions included - from Handmade Weddings: More than 50 Crafts to Personalize Your Big Day (through Design Sponge), is made from cupcake liners. The directions say it will take about 4 to 6 hours for 6 twelve foot strands. That sounds like plenty (and also plenty labor-intensive), but I suppose it all depends on the size of the room you need to decorate, and whether you have a crowd of willing minions to do the assembly-line folding and gluing. Right?
All I'm sayin' ... start well in advance. Especially if you're prone to searching for the perfect cupcake liners, and not being able to find them in the right design/color scheme, you decide that you can do some Japanese dyeing of plain liners (or substitute coffee filters! Cheaper! Bigger! Probably more fragile and/or too floppy, but you won't realize that until you've dyed and glued 720 of them!), and do some extra fancy scissor work or punching ... times 720 liners, times double that number if you have a big room to decorate ... times triple hours because you're doing it late at night when minions are not available ... times triple stress because you should have started three weeks earlier ...
Still, it can't be harder or more labor-intensive than the felt pompom garland I was thinking about trying a few weeks ago. After reminding myself about how much work goes into making just one felt ball and then multiplying that by a gazillion ... please. There are not enough minions in the world for such a project and I'm thinking garlands of 720 cupcake liners are a piece of cupcake.

Merry Christmas!

It really felt like not enough got done this Christmas, nor done at the right times,

but when you get right down to it, there was some decorating happening, and lights lit up . . .

there were some stockings hung . . .

and a bit of cheer spread around here and there . . .

and a couple or three little collections got out of their boxes . . .

and the Egyptian cat on top of the hall closet got her bell and ribbon.

Some of us made some cookies.

And we crafted some steampunkish crafts.

And we made our version of Christmas crackers.

We ate a lot and we sang a lot and we went to church

and we greatly enjoyed the company of friends and relations.

That seems like the right things accomplished then.

Christian Tagliavini

Amazed wonderment about these 1503 Series photographs by Christian Tagliavini (studiojudith). At first, I thought they were computer-manipulated photographs, but they are carefully crafted portraits of live models wearing die-cuts of what seems to be a combination of fabric and/or paper-backed or stiffened fabric (Correction here: I thought the very long necks on some of the models were post-photo computer manipulation, but Christian explains in the comment below that while Photoshop was utilized for certain atmospheric effects, the long necks are a result of an illusion).

More wonderment at these photographs, a 2008 series called Dame di Cartone (Cardboard Ladies). Kind of like real people paper dolls, yes?

There is a Casting Call on his site, where you can apply to be one of his models. FYI, he's looking for "great character" and perhaps an "element of surprise". I wonder if you might get a flight to Switzerland if you are chosen?

Christian Tagliavini:
"I start with the idea, then I search someone to impersonate it. I build up stories and dramatize them using photography and creativity as a skillful artifice being at the same time author, stage designer, costume designer, casting manager, director and photographer."

Napkins

This work is part of a room-sized installation of 565 drawings of pen-and-ink flowers on paper napkins by artist Jim Hodges. Hodges explores universal themes, and in this piece, "A Diary of Flowers - Above the Clouds" a correlation is made between the ephemeral nature of the flowers and the material they are drawn on. The 100 napkins in this piece are pinned onto the wall. "A Diary of Flowers", completed in 1995, is now part of the collection of
The Museum of Contemporary Art, Los Angeles.



More drawing on napkins from "The Napkin Dad Daily" blog. He started drawing on napkins for his daughters' lunch bags and did these daily until his last daughter graduated from high school in 2005. That first year, he thought all the drawings were thrown out at the end of the lunch period, but for Father's Day his daughter presented him with all the napkins he had drawn for her as a gift. What a sweet story! And how dedicated is that?

I am more prone to obsessively twisting and folding napkins than drawing on them.
When I was younger and holiday meals were hosted by my mother and grandmother, I was the one in charge of setting the table. I often took great pleasure in lining up the plates and silverware, placing the goblets and stemware, selecting candles and making centerpieces, and rolling the napkins into holders or folding them in different configurations. My mother has a buffet with stacks of cloth napkins in different colors and fabrics to choose from, and a wide selection of tablecloths, all ironed and folded and organized just so. Nowadays I am either a guest at a gathering that uses paper plates and napkins, or I am elbow deep in meal preparation and the table gets a last minute frenzied setting as the potatoes are getting mashed or the turkey sliced. I'm thinking about napkins today, though.
I think I once had a tiny little paperback book with diagrams of napkin folds, but haven't seen it for years. There are, though, plenty of sites that have instructions for fancy napkin folds ... like the Water Lily/Rosebud, Bird of Paradise, and Bishop's Hat instructions at The Butler's Guild. (Really?) Martha's site has some simple and elegant napkin folds featured. Happy Thanksgiving!

Rag and Bone

One of my favorite blogs for seeing a vast variety of art and artists in paper and book arts is Rag and Bone. Some things that caught my eye on this visit:
Folded "word" books by Veronica Salazar

The classic British red phone booth recycled into darling little libraries

"Corrugations" folded by Dutch artist Noud van den Boer

Paper Couture

A Zoe Bradley Paper Dress Installation

Through the Rag and Bone blog, a Cardboardia Paper Clothing Gathering

Handmade Artist's Christmas Cards

Catching on on reading, and came across this article in the December issue of Smithsonian magazine about an exhibit of artist's handmade Christmas cards at the Smithsonian Reynolds Center for American Art and Portraiture. An interesting note in the article is that the cards were selected from a collection of artist's ephemera, an archive that includes journals, photographs, and sales receipts. (Be careful what you save!)

Blockprint sent by William Zorach, Lithuanian-American sculptor, and his wife, Margeurite, to artist Alfred J. Frueh.


Frederick Hammersley's screenprinted Christmas card design.

Crazy Quilts and the Contemporary Crafter

I saved this article by Gayle Worland from the Sunday paper on March 1, because there were a few things that really resonated with me in the interview with Beverly Gordon (professor of textiles and apparel design at UW-Madison and the curator of this exhibit, "A Fairyland of Fabrics: The Victorian Crazy Quilt" )

She compares the craft of these women to present day scrapbooking (and that segues into other paper and fabric crafts), citing an emphasis on creativity, invention, and play, and the importance of "abundance" and "collecting" of material as part of what fuels the craft(s). There's also the intriguing aspect of collective motifs - themes or subjects that appeal to many of us who do the same kind of art and craft that are reflective of our time and cultures and interests.

I quite like this quote the article ends with:

"There's a sense that there's infinite possibilities with materials and making beautiful things ... It's about making something with little bits, the fascination of combinations, because essentially they are a collage."

Letterheads Paper Doll RR

At long last completed and mailed! This was a paper doll round robin through the Letterheads Yahoo group. The participants began with a concept paper doll and case, and mailed them off to others to add bits and pieces. My doll was a Dias de los Muertos theme, pictured HERE, (Cris' additions to my doll are added there as well), and this doll is the brainchild of Cris P., a magnetic doll housed in an LP album case. Each slipcase was to represent a place that you had traveled to or wanted to travel to, and would include travel ephemera along with magnetic clothing and accessories for the doll.

I chose to have Cris' doll visit "Reality TV" via Project Runway in New York City, and was bound and determined to coordinate the Craft Robo with Adobe Illustrator and Photoshop.

I finally figured it out, the cutting, print and cut, the remarkable importance of "orientation", but there was much ado and a lot of wasted paper...
Sleeve front: The outside of the envelope formed a pocket for the "travel" miscellany, (a map of Bryant Park, an adapted Fashion Week schedule, an invented ticket, and a postcard), with a backdrop of a NYC cityscape, and a foreground collage of Season 5 contestants with Tim Gunn and Heidi Klum.

Inside the sleeve are three components:
1) The Workroom (three dress forms with magnets on the back to hold the paper fashions, and three magnetic PR "challenge" outfits. My daughter pronounced the first one to be an "out", and the other two were modeled after a "garden" and a "museum" challenge.)

3) "Tim Gunn's Bon Mots", which has paper sliders that pull out to reveal some of my favorite Tim Gunn quotes from various seasons. I tried and failed, for various reasons that I cannot even comprehend, to do this completely with the Craft Robo and Illustrator, but the circles, slider holes, Tim Gunn pulls, and the backing sheets, at least, were cut out on the CR. I had to manually match the NY pictures and glue in the quotes so they could be seen in the windows.

The Bryant Park photograph by Sonja Peiper used in the postcard is from wikimedia, an archive of free-use photographs; the NYC image by Roswitha Schacht used on the outside of the LP sleeve and Tim Gunn's Bon Mots is from morguefile, another public image archive.

More or less how...

Paper Sculture and the Craft Robo

Yet another crisis when trying to use the Craft Robo, this time the culprit appears to be too much pressure and not enough test cuts (i.e. none). Ruined a blade and the cutting strip this time. However, now I know how to do multiple test cuts and will do so religiously from now on.

In my search for answers online, I clicked a link on the Graphtec America Craft Robo Store titled "See What Others Are Roboing".

That led to the flickr photos of Polyscene and EnWhySee, along with a side trip to the paper engineering site of Ingrid Siliakus.

These examples of paper engineering aided by the Craft Robo are from Polyscene's photos.














































This is an example of some of the very complex work from Ingrid Siliakus' gallery. Do look there if you like this kind of work... amazing! I'm not really sure, as the site is in Dutch, but I think the cutting and scoring is all done by hand, with many test models before the final piece is completed.



















Figuring out how to simplify the completion of paper engineering projects was one of the main reasons I bought this machine, but I'm still struggling with the basics. Inspired now to keep trying, though ... (but now I have to wait for new blades to arrive.)
Both of the artists linked from the Craft Robo site are using sheets of a lightweight plastic called polypropylene, but so far no luck locating any.

Orizomegami

A couple of pics of orizomegami papers that were made by 3rd-5th grades when I was teaching elementary art. (Actually, I called it orizomegami, as that is what I did in an after-school class once upon a time, but really we did a combination of orizomegami (folding only) and itajime (sandwiching the folded bundles in clothespins and binder clips and the like). A book I used for reference is Paper Art, by Diane Maurer-Mathison. We made some things out of the papers... some japanese stab-bound books, little holders for seals they made. And some of them were simply mounted on paper for display. These papers were some of the leftovers that kids bequethed to me (or I fished out of the trash can ... for them it was all about the process, which is something I should get back to! I'm going to see if I can find some of the pictures of the ones we mounted... many of them were stunning. I've used a few of these scraps as backgrounds for cards, like the one below. The bird was designed by my friend Mary for Prickley Pear.

Breaking Dawn Masquerade Ball

Barnes and Noble announced a masquerade ball for the book release party of Stephenie Meyer's Breaking Dawn, and we decided to make masks for the event. M. and friends gathered on a Friday night and decorated paper-mache covered plastic masks with paint, fabric trim, feathers, sequins, jewels, etc. We made a fine mess.














I decided to make one at the last minute. You never know when you might be invited to a ball.














At the ball, there were many fans who were dressed in prom/homecoming type dresses or vampire black and fancy and not so fancy masks. I don't think I've ever been to a midnight release party, but it was kind of fun. I pulled up a footstool and browsed through several art/collage books after admiring all the finery. We chose not to dress up, but did carry the masks with us.















This young couple, who had made their masks that day, using plaster strips to form them, allowed me to take a picture of them. They and we were at the very front of the line, along with others who had submitted art (M.s friend!) or had been to all three of the release parties.















At one minute to midnight, the wrappings were torn off the cases of books waiting behind the counter. By 12:05 we were out the door and on the way home...
M. finished the book before she went to bed tonight. I still have two more to go before I can read it.